Visualising history on screen: the film "Lumumba" (2000) and the political contradictions of [Post] Colonial Congo
For those who write academic history, the historical film has often been viewed as suspect, fake and even an enemy. It is because the medium of film is accused of stealing history’s audiences and distorting historical ‘truths’ that should be told objectively without metaphorical and fictional embell...
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| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Intellect
2016
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| Subjects: | |
| Online Access: | http://hdl.handle.net/11408/978 |
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