Rethinking the Algiers Charter in contemporary film production in Zimbabwe: conversations with film producers
This study sets motion for systematic academic investigations on the Algiers Charter of 1975 and film production in Zimbabwe and Africa at large. The charter stipulates that filmmakers should be committed to the development of an ‘African’ cinema, radically different from previous cinematic represen...
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| Language: | English |
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Midlands State University
2017
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| Online Access: | http://hdl.handle.net/11408/2837 |
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| author | Mkwendi, Chengeto Pauline |
| author_facet | Mkwendi, Chengeto Pauline |
| author_sort | Mkwendi, Chengeto Pauline |
| collection | DSpace |
| description | This study sets motion for systematic academic investigations on the Algiers Charter of 1975 and film production in Zimbabwe and Africa at large. The charter stipulates that filmmakers should be committed to the development of an ‘African’ cinema, radically different from previous cinematic representations of Africa by the Western world, rejecting commercial influence. Despite the centrality of the charter in film production, systematic academic studies on the phenomenon in the Zimbabwean context are scarce. Theoretically informed by Third Cinema theory and utilizing a qualitative research approach, the study investigates the feasibility and relevance of the Algiers charter in the context of film production in Zimbabwe. In-depth semi structured interviews were conducted with five purposively selected film producers drawn from some of Zimbabwe’s major cities: Harare, Masvingo and Gweru. From the data obtained, the study comes to the conclusion that the Algiers charter is hardly known by Zimbabwean film makers despite its importance. Moreover, while some film makers might be profit oriented, an ever bleeding Zimbabwean economy makes it impossible for the film makers to make financial profits. Finally, the study contends that Zimbabwe’s film industry, has failed to radically divorce itself from the western gaze of the African scenario. |
| id | ir-11408-2837 |
| institution | My University |
| language | English |
| publishDate | 2017 |
| publisher | Midlands State University |
| record_format | dspace |
| spelling | ir-11408-28372022-06-27T13:49:05Z Rethinking the Algiers Charter in contemporary film production in Zimbabwe: conversations with film producers Mkwendi, Chengeto Pauline Film production This study sets motion for systematic academic investigations on the Algiers Charter of 1975 and film production in Zimbabwe and Africa at large. The charter stipulates that filmmakers should be committed to the development of an ‘African’ cinema, radically different from previous cinematic representations of Africa by the Western world, rejecting commercial influence. Despite the centrality of the charter in film production, systematic academic studies on the phenomenon in the Zimbabwean context are scarce. Theoretically informed by Third Cinema theory and utilizing a qualitative research approach, the study investigates the feasibility and relevance of the Algiers charter in the context of film production in Zimbabwe. In-depth semi structured interviews were conducted with five purposively selected film producers drawn from some of Zimbabwe’s major cities: Harare, Masvingo and Gweru. From the data obtained, the study comes to the conclusion that the Algiers charter is hardly known by Zimbabwean film makers despite its importance. Moreover, while some film makers might be profit oriented, an ever bleeding Zimbabwean economy makes it impossible for the film makers to make financial profits. Finally, the study contends that Zimbabwe’s film industry, has failed to radically divorce itself from the western gaze of the African scenario. 2017-09-08T15:01:34Z 2017-09-08T15:01:34Z 2016 http://hdl.handle.net/11408/2837 en open Midlands State University |
| spellingShingle | Film production Mkwendi, Chengeto Pauline Rethinking the Algiers Charter in contemporary film production in Zimbabwe: conversations with film producers |
| title | Rethinking the Algiers Charter in contemporary film production in Zimbabwe: conversations with film producers |
| title_full | Rethinking the Algiers Charter in contemporary film production in Zimbabwe: conversations with film producers |
| title_fullStr | Rethinking the Algiers Charter in contemporary film production in Zimbabwe: conversations with film producers |
| title_full_unstemmed | Rethinking the Algiers Charter in contemporary film production in Zimbabwe: conversations with film producers |
| title_short | Rethinking the Algiers Charter in contemporary film production in Zimbabwe: conversations with film producers |
| title_sort | rethinking the algiers charter in contemporary film production in zimbabwe: conversations with film producers |
| topic | Film production |
| url | http://hdl.handle.net/11408/2837 |
| work_keys_str_mv | AT mkwendichengetopauline rethinkingthealgierscharterincontemporaryfilmproductioninzimbabweconversationswithfilmproducers |