A critique of Augusto Baol’s ‘ Theater of the Oppressed within the context of Post Independent Zimbabwe
During the 1970s, Augusto Baol, a Brazilian scholar laid out theoretical and practical foundation to what he called: Theatre of the oppressed’ (1979). Rejecting the Aristotelian poetics of despair and bourgeois ‘illusionism’, Baol evolved and experimented with interrogative theatre that focused on p...
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| Format: | Article |
| Language: | English |
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Unisa Press
2016
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| Online Access: | http://hdl.handle.net/11408/960 |
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