Music, politics, cultural revival: the dialogics of songs at Biras/ Galas in post-independence Zimbabwe.
The article does not only showcase the dominance of Pungwe as a historical theatrical narrative of Chimurenga which legitimises the liberation war theme in the post-independence Zimbabwean politics but it further demonstrates that music, as a trenchant political site in Africa, has become a major s...
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| Main Author: | |
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| Format: | Book chapter |
| Language: | English |
| Published: |
MSU Press
2016
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| Subjects: | |
| Online Access: | http://hdl.handle.net/11408/1441 |
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