Vulgar acts of entrenchment:The depiction of the Zimbabwean postcolony in Chenjerai Hove's 'Palaver finish'
This paper seeks to interpret Chenjerai Hove's depiction in Palaver Finish of the Zimbabwean postcolony in the period leading into the new millennium. It seeks to argue that the portrayal of political developments in Zimbabwe in that period presents the nation as plunging into a state of vulgar...
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Format: | Article |
Language: | English |
Published: |
Unisa Press
2016
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Online Access: | http://hdl.handle.net/11408/1029 |
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