An encounter with the enigma some philosophical reflections on Hosiah Chipanga’s music

Hosiah Chipanga is dubbed one of the most controversial musicians to have emerged in post-independent Zimbabwe. His music strongly condemns acts of corruption, avariciousness, bribery, nepotism and political power struggles that threaten to tear apart the moral fibre of the Zimbabwean society. Throu...

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Main Author: Rwafa, Urther
Format: Article
Language:English
Published: Taylor & Francis (Routledge) 2016
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Online Access:http://www.tandfonline.com/doi/pdf/10.1080/18125980.2015.1031455
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author Rwafa, Urther
author_facet Rwafa, Urther
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description Hosiah Chipanga is dubbed one of the most controversial musicians to have emerged in post-independent Zimbabwe. His music strongly condemns acts of corruption, avariciousness, bribery, nepotism and political power struggles that threaten to tear apart the moral fibre of the Zimbabwean society. Through the songs “Gushungo”, “Dafi” and “Vatsigiri vangu”, Chipanga attempts to salvage truth and sanity out of the “debris” of moral laxity that makes some Zimbabweans fail to go beyond their own limitations. This epistemic search for the “truth” makes Chipanga’s music generate new levels of social, economic and political consciousness at a time when all hope on redeeming Zimbabwe from possible self-destruction seemed to have been lost. Through what one can call “painful political truth” and “liberation theology”, Chipanga calls forth for Zimbabweans to reflect upon their lives and desist from the habit of “blame shifting” by confronting the problems that afflict them.
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spelling ir-11408-8362022-06-27T13:49:07Z An encounter with the enigma some philosophical reflections on Hosiah Chipanga’s music Rwafa, Urther Hosea Chipanga, music, Zimbabwe, social, Economic and political challenges Hosiah Chipanga is dubbed one of the most controversial musicians to have emerged in post-independent Zimbabwe. His music strongly condemns acts of corruption, avariciousness, bribery, nepotism and political power struggles that threaten to tear apart the moral fibre of the Zimbabwean society. Through the songs “Gushungo”, “Dafi” and “Vatsigiri vangu”, Chipanga attempts to salvage truth and sanity out of the “debris” of moral laxity that makes some Zimbabweans fail to go beyond their own limitations. This epistemic search for the “truth” makes Chipanga’s music generate new levels of social, economic and political consciousness at a time when all hope on redeeming Zimbabwe from possible self-destruction seemed to have been lost. Through what one can call “painful political truth” and “liberation theology”, Chipanga calls forth for Zimbabweans to reflect upon their lives and desist from the habit of “blame shifting” by confronting the problems that afflict them. 2016-04-08T10:22:07Z 2016-04-08T10:22:07Z 2015 Article 1812-5980 http://www.tandfonline.com/doi/pdf/10.1080/18125980.2015.1031455 en Muziki:Journal of Music Research in Africa;Vol.12, No.1 p.122–133 none Taylor & Francis (Routledge)
spellingShingle Hosea Chipanga, music, Zimbabwe, social,
Economic and political challenges
Rwafa, Urther
An encounter with the enigma some philosophical reflections on Hosiah Chipanga’s music
title An encounter with the enigma some philosophical reflections on Hosiah Chipanga’s music
title_full An encounter with the enigma some philosophical reflections on Hosiah Chipanga’s music
title_fullStr An encounter with the enigma some philosophical reflections on Hosiah Chipanga’s music
title_full_unstemmed An encounter with the enigma some philosophical reflections on Hosiah Chipanga’s music
title_short An encounter with the enigma some philosophical reflections on Hosiah Chipanga’s music
title_sort encounter with the enigma some philosophical reflections on hosiah chipanga’s music
topic Hosea Chipanga, music, Zimbabwe, social,
Economic and political challenges
url http://www.tandfonline.com/doi/pdf/10.1080/18125980.2015.1031455
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