Hegemony and Music in The Pre-Colonial, Colonial and Post-Colonial Zimbabwe

The article is an expose' of how hegemony and music belonging to the Shona communities of Zimbabwe have transcended the pre-colonial, colo- nial and post-colonial periods. The discussion is premised on some onto- logical comprehension that supremacy, socio-economic and political do- minance...

Full description

Saved in:
Bibliographic Details
Main Author: Matiure, Perminus
Format: Article
Language:English
Published: Association of Ethnomusicology 2022
Subjects:
Online Access:https://dergipark.org.tr/en/pub/etnomuzikoloji/issue/50215/648123
http://hdl.handle.net/11408/5191
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1779905292087066624
author Matiure, Perminus
author_facet Matiure, Perminus
author_sort Matiure, Perminus
collection DSpace
description The article is an expose' of how hegemony and music belonging to the Shona communities of Zimbabwe have transcended the pre-colonial, colo- nial and post-colonial periods. The discussion is premised on some onto- logical comprehension that supremacy, socio-economic and political do- minance by members of a community are aspects of power dynamics and hegemony. As such the world communities are characterized by class struggle in which the 'haves', who enjoy hegemony superimpose on the 'have-nots'. Communities are in a dilemma of trying to reduce the gap between the ‘haves’ and ‘have-nots’. In this study, a qualitative ethnograp- hic methodology was carried out among some Shona communities of Zim- babwe. The findings were that music portrays socio-economic and political hegemonies during the pre-colonial, colonial and post-colonial Zimbabwe. It was also established that there is a strong relationship between music and hegemony. Music, especially song and dance were used to achieve socio- economic and political dominance during the three eras
format Article
id ir-11408-5191
institution My University
language English
publishDate 2022
publisher Association of Ethnomusicology
record_format dspace
spelling ir-11408-51912022-10-10T07:29:26Z Hegemony and Music in The Pre-Colonial, Colonial and Post-Colonial Zimbabwe Matiure, Perminus Hegemony Shona Ethnomusicology Pre-colonial Colonial The article is an expose' of how hegemony and music belonging to the Shona communities of Zimbabwe have transcended the pre-colonial, colo- nial and post-colonial periods. The discussion is premised on some onto- logical comprehension that supremacy, socio-economic and political do- minance by members of a community are aspects of power dynamics and hegemony. As such the world communities are characterized by class struggle in which the 'haves', who enjoy hegemony superimpose on the 'have-nots'. Communities are in a dilemma of trying to reduce the gap between the ‘haves’ and ‘have-nots’. In this study, a qualitative ethnograp- hic methodology was carried out among some Shona communities of Zim- babwe. The findings were that music portrays socio-economic and political hegemonies during the pre-colonial, colonial and post-colonial Zimbabwe. It was also established that there is a strong relationship between music and hegemony. Music, especially song and dance were used to achieve socio- economic and political dominance during the three eras 2022-10-10T07:29:26Z 2022-10-10T07:29:26Z 2019-03-30 Article Matiure, P. (2019). Hegemony and Music in The Pre-Colonial, Colonial and Post-Colonial Zimbabwe . Etnomüzikoloji Dergisi , 2 (1) , 86-96 . Retrieved from https://dergipark.org.tr/en/pub/etnomuzikoloji/issue/50215/648123 2619-9572 2687-508X https://dergipark.org.tr/en/pub/etnomuzikoloji/issue/50215/648123 http://hdl.handle.net/11408/5191 en Ethnomusicology Journal;Vol. 2, Issue 1, Pages 86-96 open Association of Ethnomusicology
spellingShingle Hegemony
Shona
Ethnomusicology
Pre-colonial
Colonial
Matiure, Perminus
Hegemony and Music in The Pre-Colonial, Colonial and Post-Colonial Zimbabwe
title Hegemony and Music in The Pre-Colonial, Colonial and Post-Colonial Zimbabwe
title_full Hegemony and Music in The Pre-Colonial, Colonial and Post-Colonial Zimbabwe
title_fullStr Hegemony and Music in The Pre-Colonial, Colonial and Post-Colonial Zimbabwe
title_full_unstemmed Hegemony and Music in The Pre-Colonial, Colonial and Post-Colonial Zimbabwe
title_short Hegemony and Music in The Pre-Colonial, Colonial and Post-Colonial Zimbabwe
title_sort hegemony and music in the pre-colonial, colonial and post-colonial zimbabwe
topic Hegemony
Shona
Ethnomusicology
Pre-colonial
Colonial
url https://dergipark.org.tr/en/pub/etnomuzikoloji/issue/50215/648123
http://hdl.handle.net/11408/5191
work_keys_str_mv AT matiureperminus hegemonyandmusicintheprecolonialcolonialandpostcolonialzimbabwe