Message of hope for the restoration of an African identity in Mai Charamba's gospel music - A practical criticism

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Bibliographic Details
Main Author: Charamba, Tyanai
Format: Article
Language:English
Published: Africa Institute for Culture, Peace, Dialogue & Tolerance Studies 2022
Subjects:
Online Access:http://hdl.handle.net/11408/5127
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author Charamba, Tyanai
author_facet Charamba, Tyanai
author_sort Charamba, Tyanai
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language English
publishDate 2022
publisher Africa Institute for Culture, Peace, Dialogue & Tolerance Studies
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spelling ir-11408-51272022-08-16T11:09:51Z Message of hope for the restoration of an African identity in Mai Charamba's gospel music - A practical criticism Charamba, Tyanai African identity Gospel Music Mai Charamba 2022-08-16T11:09:50Z 2022-08-16T11:09:50Z 2022 Article http://hdl.handle.net/11408/5127 en Journal of African indigenous languages and literature; open Africa Institute for Culture, Peace, Dialogue & Tolerance Studies
spellingShingle African identity
Gospel Music
Mai Charamba
Charamba, Tyanai
Message of hope for the restoration of an African identity in Mai Charamba's gospel music - A practical criticism
title Message of hope for the restoration of an African identity in Mai Charamba's gospel music - A practical criticism
title_full Message of hope for the restoration of an African identity in Mai Charamba's gospel music - A practical criticism
title_fullStr Message of hope for the restoration of an African identity in Mai Charamba's gospel music - A practical criticism
title_full_unstemmed Message of hope for the restoration of an African identity in Mai Charamba's gospel music - A practical criticism
title_short Message of hope for the restoration of an African identity in Mai Charamba's gospel music - A practical criticism
title_sort message of hope for the restoration of an african identity in mai charamba's gospel music - a practical criticism
topic African identity
Gospel Music
Mai Charamba
url http://hdl.handle.net/11408/5127
work_keys_str_mv AT charambatyanai messageofhopefortherestorationofanafricanidentityinmaicharambasgospelmusicapracticalcriticism