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The chapter conceptualizes Oliver ‘Tuku’ Mtukudzi as a musician who has been harshly misjudged as lacking political consciousness. It argues that Tuku has consistently employed hidden scripts to engage political issues and speaking back to power through his music. Tuku uses the metaphors of kusakara...
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Main Authors: | Mangeya, Hugh, Jakaza, Ernest |
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Format: | Book chapter |
Language: | English |
Published: |
Springer
2022
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Subjects: | |
Online Access: | http://hdl.handle.net/11408/5045 |
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