A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music.
This article analyzes how patriarchal power relations have evolved and manifested through Zimbabwean Urban Groove music. We will explore the extent to which the urban groove musical genre reproduces dominant, patriarchal power relations through the discourse of popular culture paying particular atte...
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Language: | English |
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Scientific Journals International
2016
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Online Access: | http://iosrjournals.org/iosr-jhss/papers/Vol20-issue4/Version-5/N020457276.pdf |
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author | Keche, Kudakwashe Manatsa, Proceed |
author_facet | Keche, Kudakwashe Manatsa, Proceed |
author_sort | Keche, Kudakwashe |
collection | DSpace |
description | This article analyzes how patriarchal power relations have evolved and manifested through Zimbabwean Urban Groove music. We will explore the extent to which the urban groove musical genre reproduces dominant, patriarchal power relations through the discourse of popular culture paying particular attention to findings by scholars such as Stuart Hall, John Fiske, among others. The paper will also show how patriarchal power relations appear as mystical and religious connotations as it turns its attention from exotic to mundane and from indigenous to authored culture. |
format | Article |
id | ir-11408-862 |
institution | My University |
language | English |
publishDate | 2016 |
publisher | Scientific Journals International |
record_format | dspace |
spelling | ir-11408-8622022-06-27T13:49:06Z A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music. Keche, Kudakwashe Manatsa, Proceed Patriarchal, power relations, urban grooves music, musical genre, popular culture, Zimbabwe This article analyzes how patriarchal power relations have evolved and manifested through Zimbabwean Urban Groove music. We will explore the extent to which the urban groove musical genre reproduces dominant, patriarchal power relations through the discourse of popular culture paying particular attention to findings by scholars such as Stuart Hall, John Fiske, among others. The paper will also show how patriarchal power relations appear as mystical and religious connotations as it turns its attention from exotic to mundane and from indigenous to authored culture. 2016-04-16T13:04:22Z 2016-04-16T13:04:22Z 2015 Article 1934-7227 http://iosrjournals.org/iosr-jhss/papers/Vol20-issue4/Version-5/N020457276.pdf en Journal of Humanities and Social Sciences;Vol. 20, Issue 4, p.72-76 none Scientific Journals International |
spellingShingle | Patriarchal, power relations, urban grooves music, musical genre, popular culture, Zimbabwe Keche, Kudakwashe Manatsa, Proceed A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music. |
title | A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music. |
title_full | A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music. |
title_fullStr | A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music. |
title_full_unstemmed | A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music. |
title_short | A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music. |
title_sort | critical analysis of the manifestation of patriarchal power relations in zimbabwe’s urban groove music. |
topic | Patriarchal, power relations, urban grooves music, musical genre, popular culture, Zimbabwe |
url | http://iosrjournals.org/iosr-jhss/papers/Vol20-issue4/Version-5/N020457276.pdf |
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