A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music.

This article analyzes how patriarchal power relations have evolved and manifested through Zimbabwean Urban Groove music. We will explore the extent to which the urban groove musical genre reproduces dominant, patriarchal power relations through the discourse of popular culture paying particular atte...

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Main Authors: Keche, Kudakwashe, Manatsa, Proceed
Format: Article
Language:English
Published: Scientific Journals International 2016
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Online Access:http://iosrjournals.org/iosr-jhss/papers/Vol20-issue4/Version-5/N020457276.pdf
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author Keche, Kudakwashe
Manatsa, Proceed
author_facet Keche, Kudakwashe
Manatsa, Proceed
author_sort Keche, Kudakwashe
collection DSpace
description This article analyzes how patriarchal power relations have evolved and manifested through Zimbabwean Urban Groove music. We will explore the extent to which the urban groove musical genre reproduces dominant, patriarchal power relations through the discourse of popular culture paying particular attention to findings by scholars such as Stuart Hall, John Fiske, among others. The paper will also show how patriarchal power relations appear as mystical and religious connotations as it turns its attention from exotic to mundane and from indigenous to authored culture.
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spelling ir-11408-8622022-06-27T13:49:06Z A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music. Keche, Kudakwashe Manatsa, Proceed Patriarchal, power relations, urban grooves music, musical genre, popular culture, Zimbabwe This article analyzes how patriarchal power relations have evolved and manifested through Zimbabwean Urban Groove music. We will explore the extent to which the urban groove musical genre reproduces dominant, patriarchal power relations through the discourse of popular culture paying particular attention to findings by scholars such as Stuart Hall, John Fiske, among others. The paper will also show how patriarchal power relations appear as mystical and religious connotations as it turns its attention from exotic to mundane and from indigenous to authored culture. 2016-04-16T13:04:22Z 2016-04-16T13:04:22Z 2015 Article 1934-7227 http://iosrjournals.org/iosr-jhss/papers/Vol20-issue4/Version-5/N020457276.pdf en Journal of Humanities and Social Sciences;Vol. 20, Issue 4, p.72-76 none Scientific Journals International
spellingShingle Patriarchal, power relations, urban grooves music, musical genre, popular culture, Zimbabwe
Keche, Kudakwashe
Manatsa, Proceed
A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music.
title A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music.
title_full A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music.
title_fullStr A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music.
title_full_unstemmed A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music.
title_short A critical analysis of the manifestation of patriarchal power relations in Zimbabwe’s urban groove music.
title_sort critical analysis of the manifestation of patriarchal power relations in zimbabwe’s urban groove music.
topic Patriarchal, power relations, urban grooves music, musical genre, popular culture, Zimbabwe
url http://iosrjournals.org/iosr-jhss/papers/Vol20-issue4/Version-5/N020457276.pdf
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