Oliver Mtukudzi as a cultural activist: exploring Africanity in Tuku Music

This chapter critically engages Oliver Mtukudzi’s lyrical compositions, Tsika Dzedu (Our cultural traditions) and Mwana Wamambo (The Prince/Princess). While utilizing these selected renditions among the musician’s musical corpus, the chapter notes that Mtukudzi’s music is both functional and valid a...

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Main Authors: Maganga, Allan T., Tembo, Charles, Chikara, Tendai Owen
Format: Book chapter
Language:English
Published: Palgrave Macmillan, Cham. 2022
Subjects:
Online Access:https://doi.org/10.1007/978-3-030-80728-3_8
http://hdl.handle.net/11408/4827
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author Maganga, Allan T.
Tembo, Charles
Chikara, Tendai Owen
author_facet Maganga, Allan T.
Tembo, Charles
Chikara, Tendai Owen
author_sort Maganga, Allan T.
collection DSpace
description This chapter critically engages Oliver Mtukudzi’s lyrical compositions, Tsika Dzedu (Our cultural traditions) and Mwana Wamambo (The Prince/Princess). While utilizing these selected renditions among the musician’s musical corpus, the chapter notes that Mtukudzi’s music is both functional and valid art for it advances Africanity in a multicultural context. It further argues that such cultural activism and reconstructive agenda permeating the selected lyrical renditions demonstrate that Tuku is a musician par-excellence since he is an embodiment of Shona and/or African culture. This, in turn, makes Tuku more of a cultural hero; the chapter argues that Mtukudzi’s art is art-for-life’s sake. The appreciation of these selected songs is hinged on analytic Afrocentricity as defined by Asante (An Afrocentric Manifesto: Toward an African Renaissance. Cambridge: Polity Press, 2007: 41) who posits that; “when Afrocentricity is employed in analysis or criticism, it opens the way for examination of all issues related to the African world.”
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spelling ir-11408-48272022-06-27T13:49:05Z Oliver Mtukudzi as a cultural activist: exploring Africanity in Tuku Music Maganga, Allan T. Tembo, Charles Chikara, Tendai Owen Culture Activist Africanity Afrocentricity Multicultural This chapter critically engages Oliver Mtukudzi’s lyrical compositions, Tsika Dzedu (Our cultural traditions) and Mwana Wamambo (The Prince/Princess). While utilizing these selected renditions among the musician’s musical corpus, the chapter notes that Mtukudzi’s music is both functional and valid art for it advances Africanity in a multicultural context. It further argues that such cultural activism and reconstructive agenda permeating the selected lyrical renditions demonstrate that Tuku is a musician par-excellence since he is an embodiment of Shona and/or African culture. This, in turn, makes Tuku more of a cultural hero; the chapter argues that Mtukudzi’s art is art-for-life’s sake. The appreciation of these selected songs is hinged on analytic Afrocentricity as defined by Asante (An Afrocentric Manifesto: Toward an African Renaissance. Cambridge: Polity Press, 2007: 41) who posits that; “when Afrocentricity is employed in analysis or criticism, it opens the way for examination of all issues related to the African world.” 2022-04-14T12:58:15Z 2022-04-14T12:58:15Z 2022 Book chapter 978-3-030-80727-6 978-3-030-80728-3 https://doi.org/10.1007/978-3-030-80728-3_8 http://hdl.handle.net/11408/4827 en The Life and Music of Oliver Mtukudzi: Chitando, E., Mateveke, P., Nyakudya, M., Chinouriri, B. (eds);Chapter: p. 107-119 open Palgrave Macmillan, Cham.
spellingShingle Culture
Activist
Africanity
Afrocentricity
Multicultural
Maganga, Allan T.
Tembo, Charles
Chikara, Tendai Owen
Oliver Mtukudzi as a cultural activist: exploring Africanity in Tuku Music
title Oliver Mtukudzi as a cultural activist: exploring Africanity in Tuku Music
title_full Oliver Mtukudzi as a cultural activist: exploring Africanity in Tuku Music
title_fullStr Oliver Mtukudzi as a cultural activist: exploring Africanity in Tuku Music
title_full_unstemmed Oliver Mtukudzi as a cultural activist: exploring Africanity in Tuku Music
title_short Oliver Mtukudzi as a cultural activist: exploring Africanity in Tuku Music
title_sort oliver mtukudzi as a cultural activist: exploring africanity in tuku music
topic Culture
Activist
Africanity
Afrocentricity
Multicultural
url https://doi.org/10.1007/978-3-030-80728-3_8
http://hdl.handle.net/11408/4827
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