Language censorship in selected Zimbabwean films in Shona and English

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Main Author: Rwafa, Urther
Format: Thesis
Language:English
Published: Unisa Publications 2016
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Online Access:http://uir.unisa.ac.za/bitstream/handle/10500/9486/thesis_rwafa_u.pdf?sequence=1&isAllowed=y
http://hdl.handle.net/11408/1699
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author Rwafa, Urther
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spelling ir-11408-16992022-06-27T13:49:07Z Language censorship in selected Zimbabwean films in Shona and English Rwafa, Urther Zimbabwe, Film, Censorship, Language, Shona, English, Verbal, Visual, Subvert, Dominant narratives, Political film, Cultural film, Economic film, Short film genre, Documentary, Feature film Thesis The aim of this study was to explore language censorship in Zimbabwean films in Shona and English. The study concentrated on the themes of politics, culture and economic in the genre of the documentary, feature and short film genres. It was demonstrated that the Zimbabwean laws enabled authorities to impose censorship strategies that ranged from banning, restriction, persecution of filmmakers, withdrawal of films from circulation, and threats of withdrawal of permits of film retailers. These visible, direct and banal forms of censorship have forced some filmmakers to flee the country. Most of the filmmakers who have remained in the country have been forced to deal with themes that appear harmless to the state. This state induced form of self-censorship on the filmmakers has resulted in the production of uncritical, and unreflective films whose staple diet were embedded in cultural stereotypes. The study argued that language is a signifying practice that cannot be interpreted in a single direction. Thus, despite these realities of film censorship some filmmakers deliberately encoded or used verbal and visual film language that generated surplus meanings with which the films could be re-read in ways that reveal new linguistic strategies to evade and challenge both the restrictive censorship laws as well as criticise the undemocratic political culture that has taken root in Zimbabwe. The study used eclectic theories such as Marxism, audience-reception approach, critical legal theories and language theories to analyse the films. The explanatory capacity of these theories helped to reveal the contradictory ways in which the desire to impose restrictions on film meanings was constantly undermined in the innovative language of the films. 2016-07-19T08:08:59Z 2016-07-19T08:08:59Z 2012-06 Thesis http://uir.unisa.ac.za/bitstream/handle/10500/9486/thesis_rwafa_u.pdf?sequence=1&isAllowed=y http://hdl.handle.net/11408/1699 en open Unisa Publications
spellingShingle Zimbabwe, Film, Censorship, Language, Shona, English, Verbal, Visual, Subvert, Dominant narratives, Political film, Cultural film, Economic film, Short film genre, Documentary, Feature film
Rwafa, Urther
Language censorship in selected Zimbabwean films in Shona and English
title Language censorship in selected Zimbabwean films in Shona and English
title_full Language censorship in selected Zimbabwean films in Shona and English
title_fullStr Language censorship in selected Zimbabwean films in Shona and English
title_full_unstemmed Language censorship in selected Zimbabwean films in Shona and English
title_short Language censorship in selected Zimbabwean films in Shona and English
title_sort language censorship in selected zimbabwean films in shona and english
topic Zimbabwe, Film, Censorship, Language, Shona, English, Verbal, Visual, Subvert, Dominant narratives, Political film, Cultural film, Economic film, Short film genre, Documentary, Feature film
url http://uir.unisa.ac.za/bitstream/handle/10500/9486/thesis_rwafa_u.pdf?sequence=1&isAllowed=y
http://hdl.handle.net/11408/1699
work_keys_str_mv AT rwafaurther languagecensorshipinselectedzimbabweanfilmsinshonaandenglish