Heteroglossia in G.H. Musengezi's the Honourable MP (1984)

This article illustrates how heteroglossia functions in G.H. Musengezi’s (1984) satirical play, The Honourable MP. Heteroglossia describes the coexistence, as well as the clashing, of distinct voices within a text. It can be shown that while the playwright has a distinct (and seemingly dominant) voi...

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Main Authors: Mboti, Nyasha, Tagwirei, Cuthbeth
Format: Article
Language:English
Published: Routledge 2016
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Online Access:http://dx.doi.org/10.1080/02560046.2014.906339
http://hdl.handle.net/11408/1326
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author Mboti, Nyasha
Tagwirei, Cuthbeth
author_facet Mboti, Nyasha
Tagwirei, Cuthbeth
author_sort Mboti, Nyasha
collection DSpace
description This article illustrates how heteroglossia functions in G.H. Musengezi’s (1984) satirical play, The Honourable MP. Heteroglossia describes the coexistence, as well as the clashing, of distinct voices within a text. It can be shown that while the playwright has a distinct (and seemingly dominant) voice operating in the play – expressed mainly via the sets of characters he creates and the roles he creates for them, as well as through the play’s general mise en scène – there are other voices in the play as well, operating in spite of the playwright’s wishes. The ‘other’ voices specifically function through exceeding the playwright’s, simultaneously confirming and contradicting the central message of the play. It is not what the writer says in the end that is important, but what is made out of what is left after the writer has had his/her say. Meaning finally resides in the surpluses of the text. Audiences ultimately hear what they hear, what they think they hear, and what they want to hear. The ear, rather than the voice, is finally transcendent.
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spelling ir-11408-13262022-06-27T13:49:06Z Heteroglossia in G.H. Musengezi's the Honourable MP (1984) Mboti, Nyasha Tagwirei, Cuthbeth Bakhtin, carnival, ear, G.H. Musengezi, hearing loss, heteroglossia, The Honourable MP This article illustrates how heteroglossia functions in G.H. Musengezi’s (1984) satirical play, The Honourable MP. Heteroglossia describes the coexistence, as well as the clashing, of distinct voices within a text. It can be shown that while the playwright has a distinct (and seemingly dominant) voice operating in the play – expressed mainly via the sets of characters he creates and the roles he creates for them, as well as through the play’s general mise en scène – there are other voices in the play as well, operating in spite of the playwright’s wishes. The ‘other’ voices specifically function through exceeding the playwright’s, simultaneously confirming and contradicting the central message of the play. It is not what the writer says in the end that is important, but what is made out of what is left after the writer has had his/her say. Meaning finally resides in the surpluses of the text. Audiences ultimately hear what they hear, what they think they hear, and what they want to hear. The ear, rather than the voice, is finally transcendent. 2016-05-16T13:25:50Z 2016-05-16T13:25:50Z 2014-05 Article 0256-0046 http://dx.doi.org/10.1080/02560046.2014.906339 http://hdl.handle.net/11408/1326 en Critical Arts: South-North Cultural and Media Studies;Vol. 28, No. 2, p.178-198 open Routledge
spellingShingle Bakhtin, carnival, ear, G.H. Musengezi, hearing loss, heteroglossia,
The Honourable MP
Mboti, Nyasha
Tagwirei, Cuthbeth
Heteroglossia in G.H. Musengezi's the Honourable MP (1984)
title Heteroglossia in G.H. Musengezi's the Honourable MP (1984)
title_full Heteroglossia in G.H. Musengezi's the Honourable MP (1984)
title_fullStr Heteroglossia in G.H. Musengezi's the Honourable MP (1984)
title_full_unstemmed Heteroglossia in G.H. Musengezi's the Honourable MP (1984)
title_short Heteroglossia in G.H. Musengezi's the Honourable MP (1984)
title_sort heteroglossia in g.h. musengezi's the honourable mp (1984)
topic Bakhtin, carnival, ear, G.H. Musengezi, hearing loss, heteroglossia,
The Honourable MP
url http://dx.doi.org/10.1080/02560046.2014.906339
http://hdl.handle.net/11408/1326
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