From “bush” to “farm”: Emplacement and displacement in contemporary white Zimbabwean narratives

In this article we discuss how places of belonging are imagined in relatively recent white Zimbabwean narratives dealing with issues of land, landscape, and belonging. Two white Zimbabwean narratives, Peter Rimmer’s Cry of the Fish Eagle (1993) and Douglas Rogers’ The Last Resort (2009), are read fo...

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Main Author: Tagwirei, Cuthbeth
Format: Article
Language:English
Published: Sage Publications 2016
Subjects:
Online Access:http://jcl.sagepub.com/content/early/2015/03/15/0021989415573033.abstract
http://hdl.handle.net/11408/1325
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author Tagwirei, Cuthbeth
author_facet Tagwirei, Cuthbeth
author_sort Tagwirei, Cuthbeth
collection DSpace
description In this article we discuss how places of belonging are imagined in relatively recent white Zimbabwean narratives dealing with issues of land, landscape, and belonging. Two white Zimbabwean narratives, Peter Rimmer’s Cry of the Fish Eagle (1993) and Douglas Rogers’ The Last Resort (2009), are read for the ways in which the paradoxically imagined spaces of the “bush” and the “farm” can be seen to enable, in alternate forms, exigent accommodations with place under different historical and political circumstances. In Cry of the Fish Eagle, which preceded Zimbabwe’s land reform process of the 2000s, “bush” is a privileged category by virtue of its supra-national allowance of a claim to white belonging in “Africa” at large. In The Last Resort, on the other hand, the “bush” is a derelict wilderness rescued by the ingenuity of white subjects, who create “farms” of splendid regenerative capacity in an effort to purchase belonging in the Zimbabwean nation-state.
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spelling ir-11408-13252022-06-27T13:49:06Z From “bush” to “farm”: Emplacement and displacement in contemporary white Zimbabwean narratives Tagwirei, Cuthbeth Belonging, emplacement, farm, landscape, nation, places, spaces, white narratives, Zimbabwean literature In this article we discuss how places of belonging are imagined in relatively recent white Zimbabwean narratives dealing with issues of land, landscape, and belonging. Two white Zimbabwean narratives, Peter Rimmer’s Cry of the Fish Eagle (1993) and Douglas Rogers’ The Last Resort (2009), are read for the ways in which the paradoxically imagined spaces of the “bush” and the “farm” can be seen to enable, in alternate forms, exigent accommodations with place under different historical and political circumstances. In Cry of the Fish Eagle, which preceded Zimbabwe’s land reform process of the 2000s, “bush” is a privileged category by virtue of its supra-national allowance of a claim to white belonging in “Africa” at large. In The Last Resort, on the other hand, the “bush” is a derelict wilderness rescued by the ingenuity of white subjects, who create “farms” of splendid regenerative capacity in an effort to purchase belonging in the Zimbabwean nation-state. 2016-05-16T13:15:48Z 2016-05-16T13:15:48Z 2015 Article http://jcl.sagepub.com/content/early/2015/03/15/0021989415573033.abstract http://hdl.handle.net/11408/1325 en The Journal of Commonwealth Literature;p. 1-16 open Sage Publications
spellingShingle Belonging, emplacement, farm, landscape, nation, places, spaces, white narratives, Zimbabwean literature
Tagwirei, Cuthbeth
From “bush” to “farm”: Emplacement and displacement in contemporary white Zimbabwean narratives
title From “bush” to “farm”: Emplacement and displacement in contemporary white Zimbabwean narratives
title_full From “bush” to “farm”: Emplacement and displacement in contemporary white Zimbabwean narratives
title_fullStr From “bush” to “farm”: Emplacement and displacement in contemporary white Zimbabwean narratives
title_full_unstemmed From “bush” to “farm”: Emplacement and displacement in contemporary white Zimbabwean narratives
title_short From “bush” to “farm”: Emplacement and displacement in contemporary white Zimbabwean narratives
title_sort from “bush” to “farm”: emplacement and displacement in contemporary white zimbabwean narratives
topic Belonging, emplacement, farm, landscape, nation, places, spaces, white narratives, Zimbabwean literature
url http://jcl.sagepub.com/content/early/2015/03/15/0021989415573033.abstract
http://hdl.handle.net/11408/1325
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